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posted by [personal profile] potted_music at 12:06pm on 20/08/2012
Back on the US side of the pond, questionably enriched by the experience of having tried to watch Avengers on the flight. I got as far as... 1/3 of the movie, maybe? At which point I realized that an obscure work of litcrit in a language I barely understand is way more engaging than this, which says a lot. It would probably have been more watchable had I known more (or, well, anything) about any of the characters, because by the point when I got bored out of my skull the movie did not even try to establish any sort of characterization. So, all it had to rely on is 40-years-outdated notions of geopolitics (ok, I get it, comic books got their growth spurt during the Cold War era, but it's maybe time to get over it?), comic book technobabble the actors could not pronounce with a straight face, and a really badass eyepatch of one of the characters. I fully endorse the eyepatch! But that was not enough to make the experience of watching it rewarding. I watched and liked the last installment of the X-Men, which had the same problems re:Cold-War&technobabble, but it also had characters that were not cardboard cutouts. Maybe Avengers got drastically better in the latter 2/3? I will never know, and will continue to miss out on loads of good fanfiction. (Maybe it was meant to be a parody of the genre from the very beginning, and I am just too serious?)
There are 3 comments on this entry. (Reply.)
taelle: (Default)
posted by [personal profile] taelle at 11:24pm on 20/08/2012
Yeah, it did get better once they started the action scenes - the extended squabble of the 'we are learning to be a team' section got me a bit bored. Though I rather liked Natasha's bit in the beginning, too.
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posted by [personal profile] potted_music at 02:55am on 21/08/2012
Yep, I liked how they subverted the expectations by showing her as an eroticized victim at first, and as the most competent person in the room moments later; but I also feel that there is a certain disingenuousness to this trope (for it is a trope rather than an individual occurrence): it kinda allows the viewers to both enjoy their eroticized violence and preserve the illusion of being morally squeaky-clean?
taelle: (Default)
posted by [personal profile] taelle at 09:44am on 21/08/2012
It's not an individual occurrence, imho - it goes together with later scene where she talks to Loki on board of their ship, when he's a prisoner but plays with their minds: we're seeing her as emotionally vulnerable and hurt by his words, but it ends with her getting the information she needed out of him. I believe both these scenes serve to befuddle our expectations - 'she's the victim! No, she's not!' - but also show us that Natasha readily uses herself as a bait, both body and emotions (and she _is_ emotionally hurt when talking to Loki, she just deals with this vulnerability by using it instead of denying it).

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